Melita White, originally from Adelaide, has been composing for twenty years. During this time she has created music in a range of styles: from experimental and chance-based instrumental works to her own “neoplastic” style of composition, 12-tone chamber music, and electroacoustic works. More recently, her music has explored feminist and personal themes. Melita considers composition to be a powerful tool that can bring about personal and social awareness and change.
Melita is also a classically-trained flautist, having studied at the Canberra School of Music and Flinders Street School of Music. Between 1993 and 1995, she worked extensively with Adelaide's experimental ensemble ACME New Music Co. as a flautist and composer. In 1995 Melita founded Auricle, and was artistic director, concert manager, composer and performer with the ensemble until 2001. With Auricle, she commissioned dozens of new works by Australian composers and employed emerging young musicians.
Melita has studied with a number of composers including Catherine Schieve, Raymond Chapman-Smith and Thomas Reiner. She participated in a composition workshop with Philip Glass in Perth in 2000. Since 2000, Melita has been based in Melbourne. She has a Master of Arts (Music Composition) from Monash University, for which she received an Australian Postgraduate Award. Melita has also lectured at Monash, where she helped devise a new unit about experimental composition.
Melita's music has been performed widely in Australia: by flautist Geoffrey Collins, The Firm, Halcyon, The Seraphim Trio, and re-sound ensemble. Festivals that have featured her work include the Adelaide Fringe Festival (1994), The Barossa Music Festival (1998), The Australian Women's Music Festival (1998) and the Beijing International Congress of Women in Music (2008). Her music has been broadcast on community, local, national and online radio stations in Australia, including numerous broadcasts and interviews on ABC FM's New Music Tonight program.
In 2008, Melita received a Development Grant from Arts Victoria to create Traces, an electroacoustic work about her father's experience of Alzheimer's disease. Melita was included in Rosalind Appleby's 2012 book Women of Note: The Rise of Australian Women Composers. She is a fully represented artist of the Australian Music Centre. Melita also works as a textile artist and has sold work at Craft Victoria under her red suede kitten label. She was one of 200 artisans recently featured in the book Handmade in Melbourne. Melita has a keen interest in the sense of smell and the science of perfumery and is a synaesthete. All of these interests inform and influence her work as a composer.
qualifications & music education
- Music II Scholarship Program student at Marryatville High School - one of four Special Interest Music Schools - in Adelaide, Australia. (1987-1991)
- Bachelor of Music (flute performance), Canberra School of Music, Australian National University, Canberra, Australia. 1st year of studies completed in 1992.
- Diploma of Music (flute performance), Flinders Street School of Music, Adelaide College of TAFE, Adelaide, Australia. (1994)
- Bachelor of Arts with First Class Honours (majoring in Music Composition, with a minor in German), Monash University, Clayton, Australia. (2002)
- Master of Arts (Music Composition), H1 grade, Monash University, Clayton, Australia. (2006)
- Teachers included Catherine Way and Virginia Taylor.
- Teachers included Raymond Chapman Smith, Catherine Schieve and Thomas Reiner.
- Selected applicant for a composition masterclass with Philip Glass as part of the Perth International Arts Festival in 2000.
awards, scholarships & grants
- Australian Postgraduate Award (2003-2005)
- Australian Federation of University Women Nell Cooper Bursary (2002)
- Monash University Arts Faculty Honours Scholarship (2002)
- Ernst Morawitz Prize, Monash University (2000 and 2002)
- Monash University Dean’s Scholar (2001)
- South Australian Young Composers Award, Category I (songs), for the composition Oscars, (1997).
grants & commissions
- Arts Victoria Arts Development Grant to create Traces, an electroacoustic work (2008).
- South Australian Youth Arts Board grant received to attend a workshop with composer Philip Glass at the Perth International Festival (2000).
- Regular concert development grants received from ARTSA and the South Australian Youth Arts Board to stage Auricle concerts between 1996-2001.
- Commissioned to write a solo piano work, Generate, Propagate, by Gabriella Smart, subsequently performed at the Barossa Music Festival (1998).